Originally published May 9th, 2014.
Oh my. Today’s interview is one of those incredibly special ones that I know I will remember when I’m an old lady recounting my fondest memories of this time! It seems incredible (or ‘incroyable’ !) to have had the great honour of meeting and interviewing the amazing Mirka Mora last month. At 87 years old, Mirka has an energy and vibrancy that is really impossible to describe. She is cheerfulness and optimism personified! She is also a charming hostess, completely hilarious and very cheeky (!), recounting for Sean and I endless stories about the debauchery of Melbourne’s bohemian scene in the early 50’s, when she first arrived here from Paris at just 21 years of age. If such tales are to be believed (!), Melbourne seems to have mellowed out somewhat since then…!
Chatting to Mirka in her combined home / studio in Richmond, adjacent to the home of her son and art dealer William Mora, is a little like peering through a window into another era. Her home is a treasure trove of ephemera collected by Mirka over the past 60 years – antique furniture and books stacked high on every surface, artworks crammed on every wall, a treasured collection of dolls and prams. There is barely enough space amongst the furniture to navigate from one side of the studio to the other, such is the scale of Mirka’s ever growing collection of antiques, art and objects.
I wasn’t sure what to expect when we first met Mirka. I didn’t know how long we’d have, or how patient she might be with each of my longwinded questions. Of course, I should have guessed she would be so overwhelmingly generous, so gracious and so welcoming. She bustled about making Sean and I strong black coffees, and offering us chocolates. She was so warm and enthusiastic about sharing a morning with us in her home.
As we chatted, Mirka recalled tales from her youth in colourful detail. She’s a master storyteller. After a brief introduction from her son William, I started off asking Mirka if it would be ok for me to ask her a few questions ‘Go for it, be game!’ she said! Sean followed up, respectfully asking if she would mind if he took some photos as we chatted. ‘Of course! I LOVE to be photographed! Just be at home, just think it’s your studio’ she said excitedly. And when we turned off her studio lights to shoot in natural light, the space plunged into momentary darkness. ‘Ooooh that is mysterious!’ was Mirka’s cheerful response!’ ‘Oh now you’re disappeared, I don’t know where you are!’
Mirka first came to Melbourne in 1951 with her husband Georges and first son Phillipe, seeking a new life after the war in Europe. The Moras lived first in rural McKinnon, but Mirka craved a more creative, colourful lifestyle, and it wasn’t long before she and Georges relocated into an amazing studio space at 9 Collins Street in the city, which suited them much better. She didn’t know it at the time, but this building had been the former studio of a great many reverred Australian painters, including Arthur Streeton, Tom Roberts, Frederick McCubbin and many more. Mirka and Georges were famed for the amazing parties they would throw here, and their studio became a hub for Melbourne’s cultural and arts communities, attracting an endless stream of visitors including both Australian and international artists, actors, dancers, musicians and art patrons.
It was at the Collins st studio that Mirka and Georges first met art patrons John and Sunday Reed. This led to a long friendship with the influential pair, and like many other Melbourne artists at the time, Georges and Mirka were regular guests at John and Sunday’s house, Heide, in Bulleen. The reeds would host dinners and parties with many of Melbourne’s most talented artists of the time, and also supported many artists with their patronage. Georges Mora would eventually go on to assist John in setting up the Museum of Modern Art at Heide.
In addition to their central involvement in Melbourne’ burgeoning arts community, Mirka and Georges were clever entrepreneurs. In 1954 they opened the Mirka Café on the corner of Exhibition Street and Little Bourke Street. Mirka worked in the kitchen, and The Contemporary Art Society would meet upstairs above the café, with Georges Mora as president and John Reed as director. Together Georges, Mirka, John and Sunday would organise art exhibitions and events here, including a self initiated exhibition for the Royal Visit of Queen Elizabeth II in 1954 – an alternative to the official one in the Melbourne Town Hall!
Though she speaks vividly and fondly of those incredible years in Collins street, Mirka lives very much in the present. Even today, she paints everyday, and says she is still learning all the time. ‘I’m 87 now, if I like it or not!’ she says ‘I think the secret is not to grow up too much. I like to be insecure, I like to be on tenderhooks. You’ve got to tremble.’
Ever the gracious hostess, as we left, Mirka thanked us again for our visit. ‘It was nice to talk about the past’ she said, and to Sean, ‘It’s nice to be photographed by you!’. William came to see us out. ‘I think I’ve been on my best behaviour!’ Mirka assured William, with a twinkle in her eye. ‘All I know my son taught me! We are having a fabulous time, William Cherie! We really are’.
Oh Mirka, how lucky Melbourne is to have inherited you! And how very lucky we are to be treated to a comprehensive retrospective of Mirka’s work and life at Heide Gallery, opening this month.
The show, entitled ‘From the Home of Mirka Mora’, starts with the very first painting Mirka ever made in 1947, and ends with work completed this year! Heide curator Kendrah Morgan and director Jason Smith worked closely with Mirka and William to select the works, and to negotiate with Mirka which works she would part with! (‘She agreed to most things’ says William!). In addition to her paintings, the show includes a lot of Mirka’s favourite objects, in particular her collection of dolls, as well as ceramics, soft sculptures, tapestries and drawings. The show will be in the modern house, Heide II – it opens on May 17th and runs for most of the year, until November 9th. We think they might need to extend the carpark for this one…!
Just a note – in transcribing our conversation below, I’ve tried as best as I can to leave intact Mirka’s occasional grammatical errors and charming idiosyncrasies. It’s all part of her magic!